“In any situation, to become settled or fixed is bad. Work this out diligently.” ~Miyamoto Musashi
Much of Musashi’s writings in the Dokoddo and Go Rin No Sho pertains to the art of strategy with a background of combatives. Though closer investigation into his philosophy allows a much deeper metaphor not limited to the mechanics of war. With the proper attention, the swarming tendrils can be discerned attaching to various domains of living if one is open to the connections. Referenced above in the water ring of strategy Musashi describes the idea not becoming settled or fixed; specifically resisting to grasp the hilt of blade with a fixed / settled grip. Detailing the float of index and thumb and a more flexed position from the remaining southward fingers. I’m unsure about the technical adroitness of swordsmanship (though it’s probably safe to assume Miyamoto knew what he was talking about) the broader idea of the float is poignant. To navigate life with a degree of lightness rather than in fixation of a static grasp. The nimble thumb and index finger is an idea of readiness adaption. A grip is the extension of our metaphysical self. How we grasp, let go, and poise has direct relationship to our internal statesmanship. Often in duress we can find ourselves with tensioned grasp. conversely in looseness of dangling fingers when relaxed or in play. It is an important idea to consider as we seek to understand how the mind state manifests in the physical. That seemingly tenuous relationship between the neuro electrical / biochemical alchemy that happens in the depths of brain tissue manifesting to the physical reality of Body and observable space. The float of grip is a metaphor for our ability to quickly adjust our negotiation of opponent or other variable. A settled or fixed grip creates viscosity, a slowness to strategy and response to initiatives. In literal sense, a protracted grasp can even cause the the hands to become slippery and unwelcome to anything one is or would endeavor to hold.
Grasp no-thing.
